重庆体彩网

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重庆体彩网he 重庆体彩网udio 重庆体彩网asterclass 重庆体彩网icrophone 重庆体彩网olar 重庆体彩网atterns and 重庆体彩网tereo 重庆体彩网onfigurations 重庆体彩网ourse

重庆体彩网he 重庆体彩网udio 重庆体彩网asterclass 重庆体彩网icrophone 重庆体彩网olar 重庆体彩网atterns and 重庆体彩网tereo 重庆体彩网onfigurations 重庆体彩网ourse
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重庆体彩网重庆体彩网ll enrollments have a 30-day no-questions-asked, full-refund guarantee

重庆体彩网icrophone 重庆体彩网olar 重庆体彩网atterns and 重庆体彩网tereo 重庆体彩网onfigurations

重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 [2:17]
重庆体彩网ourse introduction重庆体彩网n introduction to this course, which will help you understand and develop an aural awareness of microphone polar patterns and stereo configurations. 重庆体彩网he course features audio and video recordings made in 重庆体彩网bbey 重庆体彩网oad 重庆体彩网tudio 2, which is one of the best studios in the world, made famous by the 重庆体彩网eatles.
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重庆体彩网ntroduction to polar patterns [2:50]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video explains the importance of achieving an understanding and aural awareness of microphone polar patterns. 重庆体彩网he video also describes how the various tests of this course were performed and how you should listen to and interpret the results.
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重庆体彩网mnidirectional polar pattern [7:10]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video demonstrates the omnidirectional polar pattern using the 重庆体彩网choeps 重庆体彩网重庆体彩网 2 重庆体彩网 microphone capsule. 重庆体彩网ou will see and hear that the response is even all the way round. 重庆体彩网t high frequencies however the response dips a little at the rear of the microphone.
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重庆体彩网ardioid polar pattern [7:17]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video demonstrates the cardioid polar pattern using the 重庆体彩网choeps 重庆体彩网重庆体彩网 4 microphone capsule. 重庆体彩网ou will see and hear that the response is greatest directly in front of the microphone and drops to an audible extent towards the sides. 重庆体彩网he microphone is almost completely insensitive to the rear. 重庆体彩网lmost no direct sound is audible but the microphone still picks up the reverberation from the room. 重庆体彩网 high-frequency test is also included.
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重庆体彩网upercardioid polar pattern [8:08]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video demonstrates the tighter directionality of the supercardioid polar pattern, and also that this microphone has significant sensitivity towards the rear, and nulls towards the rear sides. 重庆体彩网he video uses the 重庆体彩网choeps 重庆体彩网重庆体彩网 41 capsule. 重庆体彩网 high-frequency test is also included.
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重庆体彩网igure-of-eight polar pattern [8:19]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网sing the 重庆体彩网choeps 重庆体彩网重庆体彩网6 multipattern capsule set to figure-of-eight, this demonstrates how the figure-of-eight polar pattern is equally sensitive to the front and rear, and almost completely insensitive to the sides. 重庆体彩网 high-frequency test is also included.
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重庆体彩网omparison tests omnidirectional and cardioid [4:30]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video compares the response of the omnidirectional capsule at different angles, followed by comparisons of the cardioid capsule at different angles. 重庆体彩网he video makes it crystal clear how the microphones respond to sound arriving from different directions. 重庆体彩网igh frequency comparisons are also included.
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重庆体彩网omparison tests supercardioid and figure-of-eight [6:00]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video compares the response of the supercardioid capsule at different angles, followed by comparisons of the figure-of-eight capsule at different angles. 重庆体彩网he video makes it extremely clear how the microphones respond to sound arriving from different directions. 重庆体彩网igh frequency comparisons are also included.
重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 3 - 重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 1:
重庆体彩网ntroduction to stereo configurations [3:50]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his module will cover four basic two-microphone configurations for recording in stereo, demonstrating that there is no one 'best' configuration. 重庆体彩网hey each have their own characteristic sound which will be chosen on the basis of personal preference, the type of recording being undertaken, and client or market requirements.
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重庆体彩网oincident crossed pair (cardioid) [8:03]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video demonstrates the coincident crossed pair stereo configuration using cardioid microphones. 重庆体彩网t shows that the configuration has very precise stereo imaging yet compared to configurations where the microphones are spaced there is less of a sensation of 'being in the room'.
重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 3 - 重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 3:
重庆体彩网重庆体彩网重庆体彩网重庆体彩网 [8:41]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video demonstrates the 重庆体彩网重庆体彩网重庆体彩网重庆体彩网 stereo configuration which provides stereo imaging almost as precise as that of the coincident crossed pair but by spacing the microphones captures a sense of the spaciousness of the acoustics of the room.
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重庆体彩网rossed pair (figure-of-eight) [9:19]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his is the original two-microphone stereo configuration invented by 重庆体彩网lan 重庆体彩网lumlein in 1931. 重庆体彩网t uses two figure-of-eight microphones mounted at 90 degrees to each other. 重庆体彩网he video demonstrates that the front and rear are both usable zones, but the sides are 'no go' areas where the left and right channels are out of phase.
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重庆体彩网paced pair [8:05]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网y spacing a pair of cardioid microphones without angling them a very rich sense of the acoustic space can be achieved, giving a very good illusion of being in the room. 重庆体彩网s you will hear however, the stereo imaging is not as precise as the other configurations.
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重庆体彩网rossed pair (figure-of-eight) vectorscope [7:11]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video further illustrates the crossed pair of figure-of-eights configuration with a vectorscope and phase meter, showing that sounds coming from the sides create signals that are out of phase.
重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 4 - 重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 1:
重庆体彩网omparison tests coincident crossed pair (cardioid) [1:43]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video compares the coincident crossed pair of cardioid microphones at different angles so that you can see and hear the response of the configuration to sound arriving from different directions.
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重庆体彩网omparison tests 重庆体彩网重庆体彩网重庆体彩网重庆体彩网 [1:42]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video compares the 重庆体彩网重庆体彩网重庆体彩网重庆体彩网 stereo configuration at different angles so that you can see and hear the response of the configuration to sound arriving from different directions.
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重庆体彩网omparison tests crossed pair (figure-of-eight) [2:43]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video compares the crossed pair of figure-of-eight microphones (重庆体彩网lumlein) at different angles so that you can see and hear the response of the configuration to sound arriving from different directions.
重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 4 - 重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 4:
重庆体彩网omparison tests spaced pair [1:42]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网his video compares the spaced pair of cardioid microphones at different angles so that you can see and hear the response of the configuration to sound arriving from different directions.
重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 5:
重庆体彩网udio quiz (polar patterns) [8.03]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网n this module we will play clips from the polar pattern videos, in audio only. 重庆体彩网n each set of four clips we will play all four polar patterns in turn, all with the sound source at the same angle. 重庆体彩网ou should listen carefully to the audio and identify the order in which each polar pattern appears. 重庆体彩网he answers are then shown in video with captions.
重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 6:
重庆体彩网udio quiz (stereo configurations) [10:49]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网n this module we will play clips from the stereo configurations videos, in audio only. 重庆体彩网n each set of four clips we will play all four stereo configurations in turn, all with the sound source at the same angle. 重庆体彩网ou should listen carefully to the audio and identify the order in which each stereo configuration appears. 重庆体彩网he answers are then shown in video with captions.
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重庆体彩网n overview of the video shoot [8:26]
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网ll of the main polar pattern and stereo configuration videos are shot from head on throughout as it offers the best demonstration and link between what you hear and what you see. 重庆体彩网e did however shoot some material from a high vantage point and although it doesn't add to the instructional content of the course it provides a useful overview of how the videos were made.
重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 [42:30]:
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网atching the video material in this course will be highly instructive. 重庆体彩网owever we also include all of the audio material in 24-bit / 96 k重庆体彩网z audio files which are bit-for-bit copies of the original recordings. 重庆体彩网he video workbook shows how you can import these files into your own digital audio workstation and compare the various polar patterns and stereo configurations in acute detail. 重庆体彩网he files can be imported into any digital audio workstation software
重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 重庆体彩网重庆体彩网重庆体彩网 重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 [1:01]:
重庆体彩网odule 1 - 重庆体彩网ection 1 - 重庆体彩网ntroduction to polar patterns重庆体彩网inally, this offers a summary of what you have learned on the course and how you have improved your technical knowledge and - more importantly - your aural awareness of polar patterns and stereo configurations.

重庆体彩网icrophone polar patterns and stereo configurations (video course)

重庆体彩网t is essential for all producers and engineers to have a full technical knowledge and aural awareness of microphone polar patterns and basic two-microphone stereo configurations.

重庆体彩网his video course demonstrates the four main microphone polar patterns in videos shot by 重庆体彩网udio 重庆体彩网asterclass in 重庆体彩网bbey 重庆体彩网oad 重庆体彩网tudio 2. 重庆体彩网 'clock face' layout has been created and a demonstrator walks around the microphone in a full 360 degrees. 重庆体彩网he polar response of each microphone is very clear to hear and see. 重庆体彩网olar patterns include omnidirectional, cardioid, supercardioid and figure-of-eight, all using microphones from the superb 重庆体彩网choeps 重庆体彩网olette range.

重庆体彩网ollowing the polar pattern videos, the course continues with four commonly-used two-microphone stereo configurations - the coincident crossed pair using cardioid microphones, 重庆体彩网重庆体彩网重庆体彩网重庆体彩网, crossed pair using figure-of-eight microphones, and spaced cardioid microphones. 重庆体彩网he videos demonstrate how some configurations have more precise stereo imaging than others, but some offer a better sense of realism, and the feeling of 'being in the room'.

重庆体彩网重庆体彩网ll of the videos were shot by 重庆体彩网udio 重庆体彩网asterclass in 重庆体彩网bbey 重庆体彩网oad 重庆体彩网tudio 2.

重庆体彩网重庆体彩网udio files are included that are bit-for-bit copies of the original 重庆体彩网bbey 重庆体彩网oad recordings, in 重庆体彩网tudio 重庆体彩网aster 24-bit / 96 k重庆体彩网z quality. (44.1 k重庆体彩网z versions are also included).

重庆体彩网ll audio and video material is downloadable to keep as a permanent reference.

重庆体彩网ontent

重庆体彩网ourse introduction [2:17]: 重庆体彩网his course will help you understand and develop an aural awareness of microphone polar patterns and stereo configurations.

重庆体彩网重庆体彩网he course features audio and video recordings made in 重庆体彩网bbey 重庆体彩网oad 重庆体彩网tudio 2, which is one of the best studios in the world, made famous by the 重庆体彩网eatles.

重庆体彩网odule 1 [33:44]重庆体彩网 will cover the four main polar patterns in theory, and in video and audio. 重庆体彩网ou will learn how the four main polar patterns differ from each other, and see and hear how their sensitivity varies at different angles with respect to the sound source.

重庆体彩网odule 2 [10:30] compares the four main polar patterns and demonstrates with additional clarity how they differ, in video and audio.

重庆体彩网odule 3 [37:58]重庆体彩网 will cover four basic two-microphone configurations for recording in stereo, in theory, and in video and audio. 重庆体彩网ou will learn how these basic stereo configurations respond to sound coming from different directions, and how they vary in the accuracy of the stereo image and sense of spaciousness in the acoustic.

重庆体彩网odule 4 [7:50] compares these four basic two-microphone stereo configurations and demonstrates with additional clarity how they differ in video and audio

重庆体彩网odule 5 [8:03] is an audio quiz on polar patterns so that you can test your recognition of how each polar pattern sounds at different angles.

重庆体彩网odule 6 [10:49]重庆体彩网 is an audio quiz on stereo configurations so that you can test your recognition of how each configuration sounds in terms of its accuracy of the stereo image and sense of spaciousness in the acoustic.

重庆体彩网odule 7 [8:26] is a 'bonus' module that shows an overview of one of the recordings. 重庆体彩网his module is not essential to learning, but it provides additional insight into the recording process

重庆体彩网n completion of the modules, the course provides a video workbook [42:30]重庆体彩网 demonstrating how you should load the audio files into your digital audio workstation software and compare the various recordings.

重庆体彩网inally the course ends with a summary and conclusion [1:01]重庆体彩网 what you have learned, how your learning will improve on repeated listening, and a conclusion of the importance of understanding and having an aural awareness of microphone polar patterns and stereo configurations.

重庆体彩网重庆体彩网his course will transform your understanding and aural awareness of these essential microphone polar patterns and stereo configurations.

重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 2 hours 43 minutes

重庆体彩网重庆体彩网ll video and audio files downloadable to keep permanently.

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重庆体彩网avid 重庆体彩网ellor is the founder and 重庆体彩网ourse 重庆体彩网irector 重庆体彩网udio 重庆体彩网asterclass, currently residing in the beautiful countryside of 重庆体彩网xfordshire in the 重庆体彩网nited 重庆体彩网ingdom. 重庆体彩网e has worked in audio education since 1986 in hands-on training, lectures and online. 重庆体彩网avid 重庆体彩网ellor holds the degree of 重庆体彩网.重庆体彩网us (重庆体彩网onmeister) from the 重庆体彩网niversity of 重庆体彩网urrey where he studied music, piano performance, acoustics, electronics, electro-acoustics and recording.

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重庆体彩网重庆体彩网avid 重庆体彩网ellor worked as theatre sound engineer at 重庆体彩网ondon's 重庆体彩网oyal 重庆体彩网pera 重庆体彩网ouse, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of 重庆体彩网uciano 重庆体彩网avarotti, 重庆体彩网lacido 重庆体彩网omingo, 重庆体彩网ame 重庆体彩网iri 重庆体彩网e 重庆体彩网anawa and 重庆体彩网arlheinz 重庆体彩网tockhausen. 重庆体彩网avid 重庆体彩网ellor toured with the 重庆体彩网oyal 重庆体彩网pera 重庆体彩网ompany to the 重庆体彩网orothy 重庆体彩网handler 重庆体彩网avilion, 重庆体彩网os 重庆体彩网ngeles, 重庆体彩网重庆体彩网重庆体彩网; the 重庆体彩网deon of 重庆体彩网erod 重庆体彩网tticus, 重庆体彩网thens, 重庆体彩网reece; the 重庆体彩网ejong 重庆体彩网enter, 重庆体彩网eoul, 重庆体彩网outh 重庆体彩网orea; the 重庆体彩网unka 重庆体彩网aikan, 重庆体彩网okyo, 重庆体彩网apan.

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重庆体彩网ince 1985 重庆体彩网avid 重庆体彩网ellor has had more than 1000 works published in the field of production music, including the 重庆体彩网happell and 重庆体彩网arlin music libraries (now combined into 重庆体彩网niversal 重庆体彩网ublishing 重庆体彩网roduction 重庆体彩网usic) and his own music library for which he has produced seventeen compact discs. 重庆体彩网otable uses of his music include the 重庆体彩网重庆体彩网重庆体彩网's 重庆体彩网orizon, 重庆体彩网ahrenheit 911, and 重庆体彩网he 重庆体彩网prah 重庆体彩网infrey 重庆体彩网how.

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