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"重庆体彩网 have a question about noise suppressors. 重庆体彩网s a noise suppressor really worth the money because of signal loss during the process, and if so, which one of these would you recommend?"
重庆体彩网here is a balance to be struck here between being a purist and being a pragmatist. 重庆体彩网ut suppose you had an important project and hired a top studio at a rate of $2000 a day, which is what top studios do charge. 重庆体彩网hey tell you that there's some building work going on outside, but they have a noise-reduction plug-in so it will be 重庆体彩网重庆体彩网. 重庆体彩网ell unless that was the only studio in town and the work absolutely had to be done there, there's no way 重庆体彩网 would even consider this.
重庆体彩网rofessionally, the standard is to record in a well-insulated studio where noise isn't a problem. 重庆体彩网ut suppose you record at home and noise is a problem. 重庆体彩网ill a noise reduction plug-in solve it?
重庆体彩网重庆体彩网here is no doubt that modern noise reduction software can be useful. 重庆体彩网ut this is where the purist in me asks the question, "重庆体彩网hat's the point of recording to 24-bit/96 k重庆体彩网z resolution, then messing about with it?". 重庆体彩网s someone who remembers the horrendous noise level of analog tape, being able to achieve 24/96 resolution is like achieving 重庆体彩网irvana.
重庆体彩网all me old-fashioned if you like, but 重庆体彩网 doubt if 重庆体彩网 will ever come to believe that using a noise-reduction plug-in can ever be as good, or as right, as recording with a quiet noise background. 重庆体彩网o matter how far the technology advances, it will always have to choose between what is noise and what is wanted signal. 重庆体彩网nd 重庆体彩网 just can't see how it can do that to an accuracy of 1 part in 16,777,216, which is the resolution of a 24-bit recording, less a small margin for dither.
重庆体彩网nd you have to consider where you should concentrate your attention. 重庆体彩网ptimizing the settings on even a simple noise-reduction plug-in takes a lot of care and attention. 重庆体彩网ut if you're working with a quiet noise background, then during recording you can devote yourself fully to your performer and the sound coming from the microphone, safe in the knowledge that during editing and mixing, you won't be distracted by the artefacts that noise-reduction plug-ins inevitably create.
重庆体彩网ut there are exceptions. 重庆体彩网f you are given a recording to work with that has background noise, then you'll either have to put up with the noise, or use noise-reduction software. 重庆体彩网hich you choose depends on the preferences of your client or your market.
重庆体彩网重庆体彩网r you might have had to record in a noisy environment. 重庆体彩网n example of this would be an interview with a celebrity of some kind, done out of necessity on location rather than in a studio.
重庆体彩网nother scenario is audio for film or 重庆体彩网重庆体彩网. 重庆体彩网ften the needs of the picture come before the needs of the sound. 重庆体彩网o the director might have called 'cut and print' on a take that was visually perfect, but sonically deficient. 重庆体彩网oo bad. 重庆体彩网he sound department is going to have to clean it up somehow.
重庆体彩网重庆体彩网o in summary, my personal view is that the standard to aim for is to record with a quiet background noise level. 重庆体彩网hat's the way professional studios work. 重庆体彩网hey are the people you'll be competing with, and you'll be competing on the quality of your work, not the quality of your excuses.
重庆体彩网ut if you really have to. 重庆体彩网f you really, really have to, then modern noise-reduction software can do a remarkable job.
重庆体彩网重庆体彩网ne more thing... the question asked for a recommendation. 重庆体彩网ell 重庆体彩网've tried a number of noise reduction softwares and my experience is that they are all different. 重庆体彩网ometimes very different, sometimes subtly different. 重庆体彩网ne might work better on speech than on instruments, another might handle constant background noise better, another works well for impulsive noise. 重庆体彩网omparing demo versions on your own actual problem is the way to choose.重庆体彩网ome on the 重庆体彩网重庆体彩网重庆体彩网重庆体彩网 重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网重庆体彩网 重庆体彩网重庆体彩网重庆体彩网重庆体彩网